swissQprint UV ink for roll to roll printing is specifically developed to this end. It has the flexibility to follow every movement that the material also must withstand during processing, whether that entails mounting in a stretch frame or the cutting process. The ink set offers a large colour gamut with high brilliancy – so you can also score with backlit applications.
The suitable ink set
|
FR1 |
The inks are NVC free and Greenguard Gold certified. This means that printed products can also be used in critical places like hospitals and schools, which contributes to the range of applications.
Materials and applications
With swissQprint ink, you cover the entire spectrum of roll to roll printing. It adheres to the following materials - and many more:
|
Substrates |
Application examples |
|---|---|
|
Polyester fabric |
Textile stretching frames |
|
Self-adhesive foil |
Adhesive films at POS and in shop windows |
|
Backlit |
Backlit boxes |
|
Canvas |
Wall pictures |
|
Mesh |
Out of home advertising, building wraps |
|
Wallpaper |
Interior design in the commercial and private domain |
|
Paper |
Poster and billboards |
|
PET film |
High-end POS backlit applications |
|
PP |
Roll-ups |
|
Banner |
Indoor and outdoor advertising |
|
Block-out textile |
Textile stretching frames |
Configuration options
UV inks for roll to roll printing are available in the process colours, including light colours. Orange, white and effect varnish complement the range.
You configure the nine colour channels of your swissQprint machine according to the jobs you have in mind. And yet you remain completely free: should your print offerings change over time, the configuration can expand or adapt with them.
Light colours
Light cyan, light magenta and light black reproduce natural skin tones, subtle gradients and shading. For fine art productions that live up to their name.
Orange
The colour orange can be used in combination with the process colours - thus considerably extending the colour gamut in orange and red. Or you can print it specifically as a spot colour. Other spot colours are available on request.
White
White puts media in the scene. For transparent films where white serves as the base, intermediate or top layer. For coloured and dark substrates where white is used as spot colour.
Varnish
Effect varnish creates visual impressions. Both when applied selectively - for example in a wallpaper design - or overall, as a surface finish.